The Desert
Black Drawings

The desert is inside of us and it is outside of us. Where I live, it can be both. I thought that it has a transformative power and is beautiful in its abandon. That Suburbia is a kind of desert is a commonplace critique. Architectural and cultural critic Robin Boyd expressed this well back in the last century in this reflection on the spiritual ugliness of suburbia being rooted in a “fear of reality, a denial of the need for the everyday environment to reflect the heart of the human problem”. It operates though a “satisfaction with veneer and cosmetic effects. It ends in betrayal of the element of love…” this is resonant with the Eastern Orthodox tradition of the desert as not only a literal environment to which early hermits went to seek after God, but also as an existential place of abandonment, a harsh environment or aridity and want; a bookend for Boyd’s “betrayal of love”. A picture like Desert Rain then is a good evocation of aridity as an interior condition (the desert is inside of the house/dwelling and so un-available to the rain). As I was working on this one, I remembered that the big, front room window in a ranch-style house was also called the ‘picture window’, which seemed very apropos.

Sugar Daddy, oil on tar paper, 72X40, 2015

Wanderer, oil on tar paper, 40X60, 2026

Study for Wanderer, gouche, 9"X6", 2025

Study for Runaways, collage & acrylic on panel, 6"X10.5", 2025


Candelabara #1, 80 X 39.5
Candelabara #2, 80 x 39.5


Candelabara #3, 80 x 39.5
Candelabara # 4, 80 x 39.5